New Orleans' Son Wrote America's Soundtrack
Randall Stuart Newman was born on November 28, 1943, in Los Angeles, but he spent formative childhood years in New Orleans, and the city never left his music. His family was Hollywood royalty — uncles Alfred, Lionel, and Emil Newman were all film composers, and cousins Thomas and David would follow. Randy was born into a dynasty of people who wrote music for a living, but he was the one who wrote music that actually said something.
Newman grew up splitting time between L.A. and New Orleans, absorbing the city's piano traditions, its rhythmic sensibilities, its mordant sense of humor. By seventeen, he was writing songs professionally. By his mid-twenties, he was crafting compositions that artists like Three Dog Night turned into hits — "Mama Told Me Not to Come" went to number one in 1970. But Newman's own recordings were something else entirely: sardonic, literate, and deeply Southern in a way that confused people who expected California sunshine.
Louisiana 1927
Of all Newman's songs, "Louisiana 1927" is the one that belongs to New Orleans. Written about the Great Mississippi Flood, it became the unofficial anthem of Hurricane Katrina when Aaron Neville performed it during telethons and benefit concerts. The song captures something essential about the relationship between Louisiana and disaster — the resignation, the dark humor, the stubborn refusal to leave. When Newman sings about the river rising and the president looking away, he's singing about 1927 and 2005 and every flood in between.
Short People, Toy Story, and Six Decades of Genius
"Short People" in 1977 was a satirical masterpiece that half of America took literally and the other half couldn't stop singing. "I Love L.A." became the city's unofficial anthem. "You've Got a Friend in Me" from Toy Story made him a household name to a generation of children. Newman scored ten Pixar films and composed music for The Natural, Ragtime, and Seabiscuit.
The awards tell the story: two Academy Awards, seven Grammys, three Emmys, induction into both the Songwriters Hall of Fame and the Rock and Roll Hall of Fame. But the real story is that a kid who grew up between New Orleans and Los Angeles learned to write songs that sound like America talking to itself — funny, sad, complicated, and always a little bit mean in the most affectionate possible way.





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